赫哲族民族纹样在帽饰设计中的现代化转译研究

作者

  • 吴佳微 齐齐哈尔大学 美术与艺术设计学院

关键词:

赫哲族；纹样转译；帽饰设计

摘要

赫哲族作为中国东北地区人口较少的渔猎民族，其帽饰纹样承载着丰富的生态文化记忆与萨满信仰体系。本文以赫哲族传统帽饰为载体，系统梳理云纹、水波纹、螺旋纹、动物纹等典型符号的文化基因与造型特征，探讨在当代设计语境下实现民族纹样从“渔猎实用”向“审美符号”转译的理论基础与实践路径。研究提出基于“解构—转译—重构”的三维设计框架，通过形态解构、材质创新与功能重构，结合参数化设计与数字生成技术，实现传统纹样的现代化转化。研究表明，赫哲族纹样的现代化转译需在保持文化本真性的前提下，建立从文化基因提取到设计语义生成的完整链路，为非遗文化的当代活化提供可复制的范式。 

参考

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已出版

2026-04-25

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吴. (2026). 赫哲族民族纹样在帽饰设计中的现代化转译研究. 人文与社会科学前沿, 1(4). 取读于 从 http://www.axonpublishing.org/index.php/rwshkqy/article/view/176

期

卷 1 编号 4 (2026): 从理论到实践：人文社会科学的社会影响

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